The use of reflective surfaces in the paintings adds a new dimension to the viewer’s experience. As the viewer moves around the gallery, the angle of the light changes, and the paintings come alive with movement and energy. The reflections of the gallery space, and the viewer themselves, become an integral part of the artwork, blurring the lines between the artist’s creation and the viewer’s perception of it.

The monochromatic color scheme of the paintings adds to the sense of detachment and distance from the natural world, while the precise and geometric lines evoke the language of technology and mathematics. The use of reflective surfaces adds an element of surprise and playfulness, inviting the viewer to question their own perception of the artwork and the space around them.

Reichert’s use of technology in his art is not simply a gimmick, but rather a reflection of his interest in the ways in which technology is changing our relationship to the world around us. The artist’s use of a painting machine and the reflective surfaces, creates a new interpretation of art, and the way we experience it. The exhibition is not only a visual experience but also an intellectual one, inviting the viewer to question the ways in which technology is shaping our understanding of art and the world around us.

The phrase “Asking for a Friend” is often used as a way to ask a question or seek advice without revealing that the person asking is actually the one who needs the information. At a meta level, using this phrase as the title of an art show could be interpreted as the artist being self-referential, acknowledging that Reichert is experimenting with new techniques and concepts, and inviting the viewer to see their work through the lens of this experimentation. By using this phrase, the artist may be suggesting that the show is a form of inquiry or exploration, and that the paintings on display are a reflection of their own process of discovery.